Since guitars and basses are much less standardized
than violin family instruments, I have not found one single design that
satisfies all needs and tastes as well as our electric violins do. With
that thought in mind, I start each guitar or bass as a blank sheet of paper.
Every decision concerning that instrument is the customer's choice with
ideas from our staff as needed or requested. I have at times built instruments
for customers who came in with a full blueprint specified almost entirely
in advance.
On the other hand I have built instruments for
people who had very little idea of what they wanted and have taken them
through an educational process so that they could end up with the instrument
of their dreams. My objective is to always build the instrument of the
customer's dreams. Sometimes in order to do that, the customer has to first
find out what that means to them.
The following is an except from the book Custom
Guitars - A Complete Guide to Contemporary Handcrafted Guitars published
in 2000 by String Letter Press. The book covers the work of 203 guitarmakers
from all over the world. It features a photo of the headstock of one of
my archtop guitars on the Archtops chapter title page. The excerpt is from
page 135 and reads as follows: "John Jordan began his guitar-making career
as an apprentice for Ervin Somogyi in 1980. He specializes in instruments
built to order and has a way of helping customers articulate their dreams.
Customers may choose the body shape, woods, bindings, purflings, inlays,
and neck dimensions. His work has been profiled in the New York Times,
Musical Merchandise Review, and Frets."